Script Writing – The First Step To Being A Screenwriter

A good screenplay is simple, clear, and compelling. A great screenplay is one that you can’t stop watching. To achieve this goal, you need to be a great writer who understands how to tell a story using visuals as well as words.

writing GREAT screenplays | Screenwriting ULTIMATE guide!
1. Understanding the fundamentals of script writing is essential for aspiring screenwriters.
2. Screenwriting is the initial and crucial step toward pursuing a career in the entertainment industry.
3. Learning the art of storytelling is vital to captivate audiences and create compelling narratives.
4. Properly structured video scripts can significantly impact audience engagement and conversions.
5. Screenwriting opens doors to opportunities in Hollywood and the film industry, offering a chance to bring stories to life on the big screen.


This is the first step in the writing process. If you’re going to write a movie, you need to come up with an idea that’s original and interesting. This part of the process should be fun, so don’t worry about it being perfect yet!

You can brainstorm alone or with friends, but whatever you do make sure that everyone involved has some experience in screenwriting or storytelling in general (they don’t have to be experts). 

The more diverse perspectives there are at this phase of writing, the better your ideas will be. Either way, it’s best if you work somewhere quiet without any distractions like phones or pets.

If possible try and find a place where all members can see each other when they’re talking; this way people won’t have their heads down looking at their phones.

While others are speaking which will make things awkward later on when trying to collaborate on something specific like dialogue or character development.

Especially if two writers disagree over these things too much they may get frustrated because they couldn’t communicate properly beforehand – so try not making these mistakes by being mindful about how everyone else feels during meetings as well as yourself!

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The “High Concept” One Sentence Pitch

A high concept pitch is a one-sentence synopsis of your script. It should describe the genre, tone, and setting of your story. The idea is that it has to be quick and easy for people to understand what it’s about or they won’t read the rest of your script.

To write a high concept pitch:

  • Start by writing a logline without mentioning names, places, or any specifics (this will help you get across the main theme of your story).
  • Next write another version with names, places, and specifics (this will help you tell where/who in particular).

The “Turning Points” Of The Story

The turning points are the moments of change in the story. They are often referred to as “plot points” in screenwriting. The turning point is the moment when something happens that changes everything and pushes your story forward.

The turning points are also known as conflict points because they represent conflict or tension within your story and/or between characters. There should be at least one major turning point in every screenplay, but some screenplays have multiple major turning points. 

Some screenwriters argue that every scene should have at least one significant conflict or problem that needs to be resolved eventually so that audiences can feel satisfied when they watch your movie!

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Character Backgrounds

Character backgrounds are the most important part of writing a script. They are what make your characters come alive for the reader and help you understand where they’re coming from.

For example, if you had two characters in a fight scene, it would be more interesting if one of them had an abusive childhood than if neither did. You could write something like this:

The First Character Punches The Second One In The Face

(Narrator) “That happened because this person has been bullied all their life, so they always want to control situations and be victorious no matter what happens.”

Or you could write something like this:

The First Character Punches The Second One In The Face

(Narrator) “That happened because both have been bullied all their life.”

In addition to helping us write scripts better, character backgrounds can also be used as inspiration for other scenes throughout our script or even later on down our career as screenwriters (if we decide not to use that specific background).

Characters And Conflict

When writing a script, it’s important to remember that not all characters are created equal. Every good story has a hero and an antagonist someone who stands in the way of achieving their goals. 

The hero will have some sort of flaw or weakness that causes them to struggle with their goal in some way, which creates tension and conflict in the story. 

The antagonist may also have a weakness that hinders him/her from accomplishing his/her own goal this can be used as motivation for what he/she does throughout your script.

Characters should also be interesting and complex enough so they don’t feel like caricatures or stereotypes. 

They should have flaws (something they struggle with) that are explored over time through interactions with others around them, including yourself as a writer! Some examples include:

A character might believe she is unlovable because she was abandoned by her family when she was young; this could cause her to struggle to make friends due to low self-esteem.

A character might believe all men are cheaters because one man cheated on his wife with her best friend years ago; this could make it difficult for her in relationships whenever someone new comes along.

A character could think everyone else is smarter than them because they never did well in school; this would cause them stress when trying new things out for fear of being judged by others who do better than them

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Plotting Out Your Story

Now that you have your logline, your characters, and their arcs, it’s time to start plotting out the actual story. This is the step where people get hung up in screenwriting because they think it’s a very complicated process. It’s not!

You’re going to want to create an outline of each act (the first three acts are called “Acts”, while Act 4 is called “The Finale”). The three acts should be broken down into ten-minute intervals or some other easily digestible unit of time. 

That way, you can easily see how things are progressing throughout each act without having to scroll through all of your work looking for something specific like a scene or line of dialogue. Once again: keep it simple!

In terms of structure, most movies follow one of two basic structures: 3-Act Structure or 5-Act Structure (sometimes referred to as 5-act model). We’ll cover these more in-depth later on but here’s what they both look like:

Taking Your Characters On A Journey Of Change

The first step is to take your characters through a journey of change. You need to know your characters inside out.

So you should consider their backstory and motivations for each scene you write. What are they trying to achieve? What do they want? What do they need and how will they go about getting it?

If you don’t know what the character wants, then how can you expect an audience member to care about them or their story? And if we don’t care about what happens next in a movie or TV show, then why would we watch it?

The second thing every writer newbie needs to understand is that character arcs are the most important part of any script – whether it be television series or feature films. 

Without giving us some kind of journey with our main characters, we won’t be interested in what happens next (or at all). If a film isn’t engaging enough with its story then there’s no point watching because nothing changes – nothing happens!

Title/Sub-Title Or Logline/Tagline?

  • The title/sub-title is the name of your script.
  • The logline/tagline is a one-liner that describes your script in a nutshell.
  • The title of the movie is usually quite similar to the title of the book it was based on (e.g., Harry Potter and the Philosopher’s Stone).
  • A logline for Harry Potter would be something like: “A boy who grows up unaware that he’s a wizard goes to Hogwarts School of Witchcraft and Wizardry.”

Character Names

Although it may seem like a minor detail, the name you give your character is important. The right name can help a reader associate certain characteristics with the character.

While an inappropriate or ill-fitting name will make the audience struggle to remember who they’re talking about. Here are some tips on how to choose good names:

Choose names that are easy to pronounce and remember. If there are two characters with similar names in your script (like Bob and Bill), consider giving one of them an unusual first name so that it’s easier for readers to keep them straight.

Make sure the character’s name is appropriate for their role in the story, such as if they’re a doctor or lawyer; this will help readers more easily picture what he/she looks like based on their job description.*

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Research – Research – Research!

Research is the key to writing a good script. You need to know what you’re talking about before you can write it down.

If you’re writing a film about dinosaurs, study some books on paleontology. If your characters are going through an earthquake, look up information about seismic activity in that area of the world and how buildings respond in those situations. 

Do some research into what happens when an airplane crashes or blows up midair what kind of wreckage would there be? Consider how long it would take for rescue teams to arrive at the crash site (as well as whether they could get there at all).

The day after 9/11 happened I remember watching a documentary about the 1993 bombing of New York’s World Trade Center towers and being utterly shocked by this footage: 

When those planes hit, their fuel tanks exploded into fireballs like nothing I had ever seen before! That’s great fodder for any action/disaster script you might want to write someday!

Treat Your Characters As Real People, Not Caricatures

This is a common piece of advice given by screenwriting 101 courses and other resources, but it’s important enough to repeat: when creating your characters, don’t just think about the traits they have now or what they do in the story. 

Instead, think about who they are as people. Give them a history and personality that makes sense. If you have a hero character going through rough times in one scene and then facing down danger later in the movie, it might seem like a good idea to show her fall apart again.

But if we don’t know why she fell apart before (or at least some kind of explanation), then we won’t care about her second struggle either. Characters are people first; their jobs come second…

Screenplay Structure And Formatting

A script’s structure is its foundation and it’s essential to get this right for your screenplay.

The Plot follows the story from A-Z, beginning at the very beginning of your script with an introduction that sets up what you’re going to tell. 

The plot then builds, introducing characters and setting up their relationships before getting down to business and introducing conflict (which is basically what you need to have a story). 

This leads us into Act 2 where we start seeing things go wrong – basically when everything starts taking a turn for the worse. You can also use this section as a time for character development if needed.

Or even build up towards some big climax scene or resolution which will decide what happens next in the story – depending on whether it ends happily ever after or not!

After The First Draft, Rewrite! And Rewrite Again. And Again….And Again…..

When you’re done writing, it’s time for the rewrite. When people hear about screenwriters going through multiple versions of their scripts.

They think that it means that the first draft is terrible and needs to be replaced with a new version of what was written in the first place. This isn’t usually the case at all!

This first draft is just a skeleton for what will become your story. It should have all of the main plot points in place and introduce each character as they appear in your script. 

You can go back through this document now and write out how each scene will start and end (don’t worry if some scenes don’t seem like they’re long enough yet). 

Now would also be a good time to add in any “set pieces” which are special moments where something awesome happens on-screen (like an explosion or fight scene).

Now that you’ve got this version of your script written out though it’s time for another pass through general editing:

Fixing typos; rephrasing sentences so that they flow better; adding descriptions so viewers know exactly what they’re seeing on screen; making sure dialogue matches tone/mood; etc! 

The point here is not just rewriting existing content but improving upon it by fixing mistakes or adding things that were needed before moving forward into production – so don’t get too attached just yet!

Finding A Screenwriter Mentor Or Writing Partner

You’ve done the research, gathered your ideas, and have a rough draft of the screenplay you want to write. Now what? Finding a mentor or writing partner can help you take your first steps toward creating scripts for movies and television.

A mentor is someone who has been in the industry for years, knows how things work on set, and can offer advice when you get stuck on something. 

A writing partner is someone who shares their screenwriting knowledge with you as well as their own experiences. Either way, having them by your side will make this journey much easier than doing it alone!

Once you’ve found some potential matches, reach out via email/phone call/Skype conversation so that they know how interested in working together before setting up meetings face-to-face which could lead to future collaborations

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Writing a screenplay is an exciting journey, but it can also be daunting and intimidating. There are so many elements to consider, from the plot of your story to the formatting of your script. 

I hope this article has helped clarify some of those details for you! The most important thing is that you keep at it and keep learning about screenwriting as you go along.

Further Reading

Screenwriting 101: 7 Basic Steps to Writing a Screenplay: A comprehensive guide that breaks down the essential steps of screenwriting, helping you get started on your scriptwriting journey.

How to Write a Screenplay: A Guide to Scriptwriting: Explore the intricacies of scriptwriting with this informative guide, offering valuable tips and techniques to create captivating screenplays.

How to Write a Script: MasterClass provides expert advice on scriptwriting, covering character development, dialogue, and story structure to elevate your screenwriting skills.


What is the importance of proper scriptwriting in the entertainment industry?

Crafting a well-written script is crucial for the success of any film or TV show. A compelling script sets the foundation for engaging storytelling and resonates with audiences, enhancing the overall impact of the production.

What are the key elements of a screenplay?

A screenplay typically includes essential elements such as scene descriptions, character actions, dialogue, and transitions. These components work together to convey the story’s vision to the director, actors, and production team.

How can I develop realistic and memorable characters in my script?

Creating authentic characters requires understanding their motivations, backgrounds, and personalities. Conducting in-depth character studies and giving each character a distinct voice will add depth and relatability to your script.

What are some common mistakes to avoid while writing a screenplay?

Common pitfalls in screenwriting include excessive exposition, lack of conflict, and one-dimensional characters. It’s essential to maintain a balance between engaging storytelling and concise writing.

How can I improve my dialogue-writing skills?

To write compelling dialogue, observe real-life conversations, study how people communicate, and focus on making each character’s speech unique. Well-crafted dialogue should advance the plot and reveal insights into the characters’ personalities.